Richard Wolkomir & Joyce Rogers Wolkomir

Just as we looked out Joyce’s home-office window, a large black bear hurried up our lawn.

Behind her, struggling to keep up, waddled a dutiful cub, worried Mom would outdistance him (or her—who knows?).

A moment later, at the lawn’s far end, a second cub burst from the bushes. This one stared in alarm at Mom’s receding back, then scrambled up the lawn after her and the dutiful sibling.

Now, her two cubs closely following, the bear stepped over the stone wall and started down the hill by the waterfall. At that moment, out from the bushes, burst yet a third cub. This latecomer eyed the rapidly disappearing family, then bounced up the lawn after them, jauntily—the naughty cub, the rebel, the I’ll-do-it-my-way cub.

Not that Mom seemed to care. She splashed full tilt across the stream below the waterfall, then disappeared into the pine woods, cubs hurrying behind. Mom, apparently, had an important date, probably with somebody’s birdfeeder, and if the cubs wanted to stay parented, they’d better keep up. No hover parent, this ursine tiger mom dished out tough love.

It brought back a memory: once I worked as a zoo’s bear-cub keeper. My twenty-eight charges lived in a broad round pit, with concrete walls they couldn’t scale. At the circular pit’s hub stood their nighttime cub cave, a stone igloo with an iron door. For climbing, they had a two-story dead tree, rising from the igloo’s top. They also had a little swimming pool, for taking a dip.

One of my responsibilities was warning visitors to stop dangling their toddlers down into the pit to pet the bears, an extremely bad idea, because my cubs were all little swatters. It was how they played and expressed themselves. I also cleaned the pit’s sand floor, but my hardest task was herding all twenty-eight cubs into their cave every night and shutting the door.

I’d get three in, go out for more. Meanwhile, the first three would seize the opportunity for a jailbreak.

Heading home in the evening, I’d stop first at my father’s shop—he tarred roofs and installed forced-air furnaces—where the two guys working with him always sniffed, then proclaimed: “Hey, do I smell bear?”

Here’s how tough my cubs were: once two of them got into a fight on top of their climbing tree, and one got swatted off. He plummeted two stories, bounced off the stone igloo, and sat on the pit’s sand floor, glaring up at his rival and literally shaking his fist, or paw.

I’d get home every night with new scratches on my arms. My cubs did love to swat.
They came in black, brown, and cinnamon, although they were just one species, black bears. They also came in assorted ages and sizes, from halfway to my knee (when standing erect on their hind legs) to just above my knee.

My littler cubs loved me. They’d stand up, throw up their arms (front legs) and beg to be lifted and held. Others regarded me with indifference. However, the biggest cub, whom I called “Gargantua,” hated me. I threatened his alpha-cub position, in his mind, and he wanted me to die.

He’d hide behind the igloo and when I passed by, from around the curve, a paw would flash out to swat.

Eventually I gave up trying to make friends and ignored Gargantua, who’d sit off to the side glaring at me. One evening, though, his glare seemed more thoughtful, as if he’d been pondering the situation. Finally, he made up his mind. I’m sure I saw him nod.

He walked to me and held up his front legs, as he’d seen the littlest cubs do, begging to be lifted up and held.

At last, I thought.

I lifted him up. I looked into his brown eyes, he looked into my blue eyes. His expression turned to triumph.

He gave me a powerful swat, on the cheek.

Then he jumped down and I could almost hear him sniggering.

Here’s what: I love bears, and I especially love bear cubs.

And the one I’ve always loved the most was Gargantua, who never loved me.

--Richard  Read More 

This tableau of dinosaurs partially inspired one of Richard’s fantasy stories, “Last Days of the Cretaceous,” in his anthology, Frankie & Johnny, & Nellie Bly.

It’s set in Atlantis, where aristocratic sportsmen hunt the tyrannosaurus rex.

Yes, dinosaurs disappeared long before humans showed up. We all know that.

Yet, here’s this convivial family, grazing at Florida’s Dinosaur World. It shows the huge reptiles and humans can co-exist, if the dinosaurs are made of concrete.

--Richard & Joyce Read More 

Conestoga wagon—the iconic wagon of the pioneer west!

Actually, no.

We photographed this Conestoga wagon at the Shelburne (Vt.) Museum, one of the nearly 200 sleighs, coaches, and wagons in its “Horse-Drawn Vehicle Collection,” housed in a vast barn shaped, appropriately, like a horseshoe.

If your ancestors made the westward migration, they probably rode in a “prairie schooner,” a smaller, lighter wagon. Conestogas were too big and heavy to lumber across the roadless Great Plains. They were called “ships of commerce.” They were the Mack Trucks of the 18th and 19th centuries. Few, if any, crossed the Mississippi River.

Each Conestoga wagon, drawn by teams of horses, mules, or oxen, hauled up to six tons of cargo. Each had a rear-mounted feed box, for the animals, sort of a pre-industrial gas tank. Conestogas transported goods extensively in Virginia, Maryland, Pennsylvania, and Ohio, often forming long wagon trains. Conestogas’ floors curved upward, so the cargo wouldn’t fall out.

Incidentally, people didn’t ride in Conestogas, only cargo did. People walked alongside, although the wagons did have a wooden plank mounted on one side. It was to accommodate sore feet, and it was called “the lazy seat.”

We frequently visit the Shelburne Museum—39 historic buildings on 45 acres, exhibiting everything from duck decoys to impressionistic paintings. Among other things, it takes you time-travelling back into the past, when much transportation depended on hooves.

It wasn’t just those American pioneers, heading for California, either. Richard’s great-grandmother rode a covered wagon, not so different from the Conestoga, but that was across the Russian steppes.

--Joyce & Richard  Read More 

She is roughly 30 feet high. She is a living sculpture, made of plants.

Based on Chinese myth, she was one of 50 such giant foliage-and-flower sculptures we saw at the Mosaicultures Internationales Exhibit at the Montreal Botanical Gardens--galloping horses, parading lemurs with their tails up, a shepherd with dog and flock, pandas frolicking, waterfowl taking flight….

This summer, 2017, the Mosaicultures will be back, this time at Gatineau, Quebec (across the river from Ottawa), as MosaiCanada 150, celebrating Canada’s 150th birthday. See it if you can. These stunning sculptures are all made from living plants, but they aren’t topiary, which is shaped shrubs.

It is a highly complex form of art. The artists--from all over the world--must design and build frameworks for the sculptures, blend the colors, and plan for the maintenance of each plant they use.

It lifts your spirits.

—Joyce
 Read More